Experienced event manager, cultural strategist, and content creator with a master’s degree in Philosophy from UNISI and a master’s in Communication from FU. Active in the event industry since 2017, I began organizing countercultural events in Italy, working with occupied spaces, private institutions such as the Venice Biennale, and various cultural organizations. Since 2022, I have been the CEO of Giri Berlin, a venue that curates over 200 annual events in collaboration with more than 150 entities, with over 90 collectives, 100 labels, and 300 artists including radio stations, private institutions, clubs, labels, and magazines. Within the first year, I successfully scaled the project to a 9,000-strong audience by managing and coordinating five weekly events. My expertise spans event ideation, strategic promotion, booking, curation, and audience development. I oversee event budgeting, risk management, logistics, vendor negotiations, compliance, and post-event analysis while developing tailored marketing strategies to optimize visibility and engagement. I have organized workshops on legal frameworks and funding strategies for cultural projects, ensuring sustainable growth within the creative sector. My approach combines operational precision with a deep understanding of cultural ecosystems, fostering impactful collaborations and innovative event experiences.
GIRI has designed innovative programs and developed a structured approach to event planning that reflects a deep understanding of audience behavior. Within just one year, we gained recognition in the scene by promoting unconventional genres and aesthetics that stand apart from the mainstream. Our structured event planning allows us to coordinate three months in advance, with each event receiving meticulous preparation in terms of visual identity, communication strategy, artistic selection, and booking arrangements. Our event formats include Aperigiri, Breakfast Club, Showcases, CineForum, Tombola, Workshops, Talks, Interviews, Book Presentations, Magazine Launches, Pop-ups.
GIRI has connected with various communities (around 70), including esteemed institutions (GlogauAIR, Silent Garten, Kwia, Migas, Actionhause, Saule, Club Commission), Cultural magazines (Borsch, Stuck, Gata) artists like Freddy K, Konduku, Robert Owens, CCL, Object, Pufuleti, Nadia Struiwigh, Tommy Four Seven, Alan Oldham, Claudio Prc, Stanislav Tolkachev, 9x9; Labels (Alien Communication, !K7, Warning, The Trilogy Tapes, Hyperdub, Crude, Midgar, Natural sciences, ) as well as influential radio stations (RBL, NTS, NHF, Cashmere Radio); And collectives like Kilowatt, fammbass mafia, Our society, 48h, CTM, Atonal). Our network extends to over 200 artists, musicians, and performers, enriching our events with diverse perspectives.
AperiGiri is a weekly gathering designed for the GIRI community, offering a dedicated space for artists, collectives, and projects to showcase their music, aesthetics, and creative narratives. More than just an event, it is a moment of shared experiences, where personal stories and artistic expression come together in a convivial atmosphere. Running from 6:00 PM to 11:00 PM, AperiGiri provides four hours of full curatorial freedom, embracing a diverse range of musical genres and performance formats.
Rooted in the natural rhythm of Berlin’s weekly cycle, AperiGiri seamlessly integrates into the local landscape, offering an accessible cultural experience on Thursday evenings. With a donation-based model, attendees can enjoy high-quality live music while sharing a meal and selecting from a curated drink menu—all without the pressures of late-night exhaustion. The event fosters a sustainable approach to nightlife, aligning with a balanced, organic flow that respects both individual well-being and the surrounding environment.
At its core, AperiGiri is a platform for like-minded collectives to establish a consistent presence. By rotating in a steady sequence, these collaborators contribute to a structured yet dynamic cultural ecosystem, ensuring that every Thursday becomes a reliable and anticipated fixture within Berlin’s creative scene.
Flips the script
"What does Giri's Break-Fast Club also provide? Free social and creative services: breaks preceding and following the cloak of darkness,
fast laid-back gatherings under the rare sunlight
in club-recipes of DJ sets, live performances & informal brunches.”
Flips the script
The purpose of a social entity is to serve—a need created, induced, or discovered, analyzed and fulfilled. Opening a spazio culturale—if that is the chosen identity—comes with the responsibility and weight carried by such terms. It requires understanding its context: a geopolitical analysis of the neighborhood, a social study of the city, an architectural assessment of the sector, and an evaluation of social dynamics and individual challenges. Without this groundwork, relevance cannot be achieved
The fear of sound standardization feeds isolation, even in spaces designed to be “social.” Electronic music, particularly techno, is an anthem of individualism—but at what point does this separation within a dancehall cease to be healthy? Isolated universes moving in parallel fail to truly connect. To build community, we must rethink these dynamics.
In an era of genre homogenization, curating a distinct musical identity is more critical than ever. Here, performances are invited into an environment that is sobrio, clean, minimalist yet brutalist—structured, functional, and without excess. A responsive crowd engages and interacts while the space guarantees top-tier culinary, sonic, and atmospheric quality.
Imagine a fusion of afterparty energy and intentional stillness. Sunglasses indoors. A chess game mid-match. A live performance alongside decadent French toast—mortadella for the bold, pecorino and roasted mushrooms for the refined. Dry-Drinks like Pickel, High and Dry, Lucy Day Off, intentionally overflowing from the glass. And the robust Café Trucillo (produced in Italy but primarily exported), whose boldness pairs perfectly with tobacco. Bring a book and read Duchamp while those around you embody individuality: attire eclectic, demeanor open. Eye contact offers either a smile or silence—your move.
Some kiss. Others recline on rugs to meditate. Someone plays pickup sticks. Another flips through a magazine. One asks about the organizing collective; another downs a beer and leaves. The space adapts, fluid yet defined, offering exactly what you choose to take from it. This isn’t just an event—it’s a dynamic system, driven by presence and participation. Here, you decide.
Music intertwines. It seeks to communicate but leaves space—between beats, within melodies—for words, thoughts, and breath. The volume respects sensitive ears. To be weird is a must for a countercultural, avant-garde breakfast.
GIRI has designed innovative programs and developed a structured approach to event planning that reflects a deep understanding of audience behavior. Within just one year, we gained recognition in the scene by promoting unconventional genres and aesthetics that stand apart from the mainstream. Our structured event planning allows us to coordinate three months in advance, with each event receiving meticulous preparation in terms of visual identity, communication strategy, artistic selection, and booking arrangements. Our event formats include Aperigiri, Breakfast Club, Showcases, CineForum, Tombola, Workshops, Talks, Interviews, Book Presentations, Magazine Launches, Pop-ups.
GIRI has connected with various communities (around 70), including esteemed institutions (GlogauAIR, Silent Garten, Kwia, Migas, Actionhause, Saule, Club Commission), Cultural magazines (Borsch, Stuck, Gata) artists like Freddy K, Konduku, Robert Owens, CCL, Object, Pufuleti, Nadia Struiwigh, Tommy Four Seven, Alan Oldham, Claudio Prc, Stanislav Tolkachev, 9x9; Labels (Alien Communication, !K7, Warning, The Trilogy Tapes, Hyperdub, Crude, Midgar, Natural sciences, ) as well as influential radio stations (RBL, NTS, NHF, Cashmere Radio); And collectives like Kilowatt, fammbass mafia, Our society, 48h, CTM, Atonal). Our network extends to over 200 artists, musicians, and performers, enriching our events with diverse perspectives.
AperiGiri is a weekly gathering designed for the GIRI community, offering a dedicated space for artists, collectives, and projects to showcase their music, aesthetics, and creative narratives. More than just an event, it is a moment of shared experiences, where personal stories and artistic expression come together in a convivial atmosphere. Running from 6:00 PM to 11:00 PM, AperiGiri provides four hours of full curatorial freedom, embracing a diverse range of musical genres and performance formats.
Rooted in the natural rhythm of Berlin’s weekly cycle, AperiGiri seamlessly integrates into the local landscape, offering an accessible cultural experience on Thursday evenings. With a donation-based model, attendees can enjoy high-quality live music while sharing a meal and selecting from a curated drink menu—all without the pressures of late-night exhaustion. The event fosters a sustainable approach to nightlife, aligning with a balanced, organic flow that respects both individual well-being and the surrounding environment.
At its core, AperiGiri is a platform for like-minded collectives to establish a consistent presence. By rotating in a steady sequence, these collaborators contribute to a structured yet dynamic cultural ecosystem, ensuring that every Thursday becomes a reliable and anticipated fixture within Berlin’s creative scene.
Flips the script
"What does Giri's Break-Fast Club also provide? Free social and creative services: breaks preceding and following the cloak of darkness,
fast laid-back gatherings under the rare sunlight
in club-recipes of DJ sets, live performances & informal brunches.”
Flips the script
The purpose of a social entity is to serve—a need created, induced, or discovered, analyzed and fulfilled. Opening a spazio culturale—if that is the chosen identity—comes with the responsibility and weight carried by such terms. It requires understanding its context: a geopolitical analysis of the neighborhood, a social study of the city, an architectural assessment of the sector, and an evaluation of social dynamics and individual challenges. Without this groundwork, relevance cannot be achieved
The fear of sound standardization feeds isolation, even in spaces designed to be “social.” Electronic music, particularly techno, is an anthem of individualism—but at what point does this separation within a dancehall cease to be healthy? Isolated universes moving in parallel fail to truly connect. To build community, we must rethink these dynamics.
In an era of genre homogenization, curating a distinct musical identity is more critical than ever. Here, performances are invited into an environment that is sobrio, clean, minimalist yet brutalist—structured, functional, and without excess. A responsive crowd engages and interacts while the space guarantees top-tier culinary, sonic, and atmospheric quality.
Imagine a fusion of afterparty energy and intentional stillness. Sunglasses indoors. A chess game mid-match. A live performance alongside decadent French toast—mortadella for the bold, pecorino and roasted mushrooms for the refined. Dry-Drinks like Pickel, High and Dry, Lucy Day Off, intentionally overflowing from the glass. And the robust Café Trucillo (produced in Italy but primarily exported), whose boldness pairs perfectly with tobacco. Bring a book and read Duchamp while those around you embody individuality: attire eclectic, demeanor open. Eye contact offers either a smile or silence—your move.
Some kiss. Others recline on rugs to meditate. Someone plays pickup sticks. Another flips through a magazine. One asks about the organizing collective; another downs a beer and leaves. The space adapts, fluid yet defined, offering exactly what you choose to take from it. This isn’t just an event—it’s a dynamic system, driven by presence and participation. Here, you decide.
Music intertwines. It seeks to communicate but leaves space—between beats, within melodies—for words, thoughts, and breath. The volume respects sensitive ears. To be weird is a must for a countercultural, avant-garde breakfast.